ARCHIVES 2011 / How to become invisible

We don't see any interest in producing a work that would remain hidden from the public's eyes. We have to skilfully approach this piece so that an experiment like this, an invisible show, can exist. It would be really naïve to think that something is invisible just because it's hidden. The question of invisibility is much larger than that. A lot of things remain invisible in the work process, that is called surplus. What is visible of us? What remains invisible? What remains invisible belongs to God, but if God doesn't exist... What should we choose?
Eduard Gabia and Rui Catalão